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boundary 2 2009 36(3):123-132; DOI:10.1215/01903659-2009-025
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Disabled Texts and the Threat of Hannah Weiner

Joyelle McSweeney

This paper considers Hannah Weiner's collage practice as a species of bricolage in keeping with early twentieth-century practitioners such as Tzara and Schwitters. In operating in this disparaged modality and refusing the closure of conventional able-bodied texts, Weiner's work may thus be construed as a "disabled text."


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